Milan Vagač

The work of Milan Vagač (1988) has recently stabilized in the field of abstract painting, which he activates with material and installation experiments that transcend the boundaries of the canvas or the frame. Through an unconventional approach to the production and nature of hanging paintings, he offers organically tuned shapes and objects that flirt with the aesthetics of industrial products and imitate the spatial forms and haptic qualities of synthetic materials. Undefined scenes are informed by a modernist morphology and an appealing air of retrofuturism. Their imaginative form offers a free field of interpretation, although it is undeniably close to the aesthetics of machines or technological objects.